Blog: Stranger in a Familiar Land


eat that weed

The Weed Forager’s Handbook: A Guide to Edible and Medicinal Weeds in Australia

by Adam Grubb and Annie Raser-Rowland (foreword by Costa Georgiadis)

Step into the world of our least-admired botanical companions, peel back the layers of prejudice, and discover the finer side of the plants we call weeds.  An astonishing number are either edible or medicinal, and have deep and sometimes bizarre connections to human history.

My old housemate Adam has co-authored this great book about edible and medicinal weeds in Australia. When I was living with him, he grew Vietnamese mint in a fishpond alongside a poisonous plant that looked a lot like Vietnamese mint. You can imagine the problems that would cause.

Adam also does edible weed walks around Victoria, identifying the useful local ones: http://www.eatthatweed.com.

Check out the book and find out whether whatever’s growing through the pavement can be added to your salad.

http://www.eatthatweed.com/edible-weeds-book/

hail and momentum

Interview

Hail director Amiel Courtin-Wilson on his and creative partner Michael Cody’s next film Om Tuk, a Cambodian language film shot in Phnom Penh, on the Mekong and in Angkor Wat.

Peril – Hail and momentum

 

A still from Om Tuk.

 

cicada

One of my favourite aural experiences is to walk beneath the elm trees of Carlton gardens when the cicada are out and the noise is electrocuting.

This fellow was in my front yard in Footscray tonight, recorded on iPhone memo, a pale imitation: cicada

pigs ist rad

Growing Up Asian in Australia, the anthology that includes my autobiographical piece “Pigs from Home”, seems to have been included in various school reading curricula. The responses from the kids to the story are hilarious. For example:

http://poulosenglishblog.blogspot.com/2011/09/pigs-from-home-by-hop-dac.html

I’d just like to clarify, for anyone who stumbles across this, that I don’t actually hate pigs. I just don’t like the way they smell and that may be due to childhood memories of my uncle’s house in Bien Hoa, Vietnam, where the pig sties buttressed right up against the back of the house and the smell was all pervading. Anyhoo, I AM NOT A PIG HATER!

In related news, I have a piece published in the latest edition of Peril, the Asian-Australian arts and culture magazine:

http://www.peril.com.au/featured/cuisine

It’s a reworked and shortened piece initially published by Paroxysm Press and mentions my uncle’s house. There’s no pig hating here, although there is more eating of blood.

sunday drivers press update

 

Hi Folks

After weighing up our commitment to the enormity of the task and considering our involvement with other projects, we’ve decided to pull the pin on the Sunday Drivers Press website for the time being. We had intended to use it to publish written and video submissions, while using it as a means to create our own content. Unfortunately this proved to be too ambitious for our resources. We’ll continue to work on projects in the lackadaisical manner we always have, but have decided to let it go for now.

We did manage to create some great stuff, though. Below are two short films we finished while the site was being built. They were part of a planned series of web-friendly docos/interviews with people who created strange but amazing things at home in their spare time. We’d hoped to capture something of the creative undercurrent that runs through the urban/suburban Australian landscape:

 

Thanks to all those who have helped us. We hope to be back to share some more stuff with you soon.

Hop Dac

 

the fourth of july, 2009

From my journal a year ago, landing in New York for the first time on the 4th of July:

Woke up in Cozumel, Mexico, left for New York, USA. Flew to Charlotte, North Carolina, ate at Burger King at the airport while I waited for my connecting flight. Landed at La Guardia. Took no time to get through to the cab rank, was driven to Park Slope by a Sikh driver. We discussed the problems Indian students had in Melbourne and Sydney as I got my bags out of the trunk.

Dropped my backpack off at the apartment and walked up 3rd Street towards Prospect Park. The street was wide, tree lined. It was warm. Twilight. People were barbecuing. Fireflies were an unexpected delight. Realised I’d landed on the fourth of July. Walked along the boundary of the park following people to where I hoped fireworks might be happening. Asked for help from three elderly ladies who had spent the day having a picnic. They had accents, but I didn’t know where from. Haiti? They had been in New York a while, they said. They were wary of me at first. Said the fireworks were happening in Manhattan and I should catch the subway to either 34th or 42nd Streets. They let me tag along with them to the subway, as I had no idea where I was going. We walked through Brooklyn, the streets progressively getting more derelict, and I told them where I was from and that I’d spent a week in Mexico at a wedding. “I hope you don’t have the bug,” one said. “Swine flu? I hope I don’t have it, either,” I replied. They gave me some advice about the subway system when we got there, we were fast friends by then. The lady who had been most wary of me had warmed up to me most. She said to make sure I kept an eye on my wallet while her friends made a beeline for the turnstiles and I thanked her. She told me to get a weekly ticket and a subway map.

Caught the number 2 or 3 train towards Manhattan. Spoke to a man sitting beside me with his wife and two young kids about how to get back to Brooklyn (catch the downtown Brooklyn). Uptown and downtown finally made sense. The train was occupied by more coloureds than whites. I asked the man if he was going to Manhattan to see the fireworks, he said he was and to get off the train where they did. I followed them with a crowd, up to the turnstiles where a couple of subway attendants yelled at us to get back onto the train and get off at 72nd Street if we wanted to see the fireworks. This stirred everyone up but we traipsed back down to the platform. I was following another family, hearing the wife say, “How do we know they’re telling the truth?” We caught the train to 72nd Street and I followed people down to the river.

It was hot, hotter than it was when I first arrived. A big crowd was gathering. I overheard a woman standing outside an apartment building, probably about sixty, say to the footman at the entrance, “Why do they bother? Each year it’s boring.” There were cops everywhere, directing traffic, some on horseback. I heard the popping sound in the distance as I reached the fringe of the crowd, the fireworks began their crescendo and I pushed through the hot, mostly black bodies, catching the last bright splashes on tippy-toe. The crowd ‘Ahhhed’ and a section of them were singing the Star-Spangled Banner. I couldn’t imagine Australians belting out Advanced Australia Fair spontaneously like that. People began to disperse and I walked back to the subway. I thought about getting off at Times Square, but it was late, so I went back to Brooklyn.

The train was full to brimming. Spoke with a grey-haired man and his lady friend about Australia. I missed my stop, but they helped me with directions to get to where I wanted to go. I didn’t quite know where I was, but didn’t think I was too far away from 3rd Street. Stopped for a pepperoni pizza from a place called Gino’s. There was a soccer game on TV, USA vs. Grenada, a CONCACAF match. A kid came in, ordered a slice that he sprinkled herbs onto it from a shaker on the counter they had for doing just that and sat eating it, watched the game. New York pizza lived up to its reputation. I ate a slice from the box as I walked in the general direction of Park Slope. Found 5th Avenue and a homeless man sitting on some steps called out to me, “Can you help me? I’m hungry.” “I can give you a slice of pizza,” I said and he took it gratefully with two hands. I walked up 5th Avenue, past bars and delis.

I got back to the apartment, the bottom floor of a brownstone, ate more of the pizza and left a couple of slices for breakfast. I watched a DVD of Bull Durham and started watching Woody Allen’s Manhattan, but stopped halfway through as my eyes were heavy. Decided to smoke a cigarette and walk around the block as I wasn’t ready to put the lights out just yet. It was 2am and people were still out.  Got home, had a shower, went to bed. I liked New York a lot.

susurrus

it’s late. i should be asleep, but i have a persistent cough and a sniffle and am unlikely to be going to work tomorrow, so i think i can stay up, except i slept for three hours last night, having spent the previous three nights staying up until dawn, firstly to party and secondly and thirdly to watch breaking bad and deadwood, the latter only when i got out of bed realising i couldn’t sleep because i had spent several hours in a spin cycle wondering what to do with myself in the very near future when my sabbatical is over. and now i’m in the other room because my persistent cough would keep kate awake, but the computer is in the other room, which is why i’m up late. chile has just beaten switzerland. it’s been a busy few months but i have had two blissful weeks of catching up with friends while the thespians run through the show each night in brunswick. i have half finished paintings i’ll have to slap the dust off waiting for me at the studio. i wonder if anyone has moved into the space next to me yet. i hope they smoke.

review of ‘the butterfly catcher’ – the age, friday 18 june 2010

Click to embiggen.

ricky swallow catalogue review

Review of the Ricky Swallow exhibition catalogue for The Bricoleur at the National Gallery of Victoria for artabase.

twenty ten

Am back in the bowels of Auspicious Arts working with ITCH Productions, nutting out the next play, due for performance at the Mechanics Institute around June 2010.

Director: Alice Bishop

Producer: Des Fleming

Writer: Hop Dac

Music: Biddy Connor

Actors: Des Fleming, Scott Brennan, Michael F Cahill, Ngaire Dawn Fair.

john lithgow delights!

Just when I thought it wasn’t possible to like John Lithgow any more, I discover that he also writes children’s books, with songs to boot. “I Got Two Dogs” was the book/song I heard at my friend Kelly’s house and it’s grouse.

There’s a little of the song in this CBS interview:

john-lithgow

pawn shop – short film


A short film of the short play by the same name that we shot in Beaufort in 2007. The play was originally produced as part of the Short+Sweet Festival.

Director: Alice Bishop
Writer: Hop Dac
DOP: David Hawkins
Editor: Simon Imberger
Sound Recordist: Jonathon Lee
Sound Design: Robert Harewood
Producer: Matthew Molony
Production Design: Alice Bishop
Location Coordinator: Mary Brennan

Cast:
Gary: Matthew Molony
Lenny (pawnshop owner): Michael F Cahill

the festival

Update: The 2012 “East Meets West Lunar Festival” is on Sunday 29 January and can be found on Hopkins Street, Footscray . Just follow your nose. Also, it’s the year of the dragon, which is my year, so doubly rad.

 

The Yarraville Festival is on today, but I’m going to give it a miss, mainly because I’m pretty certain that there’s not much more for me there than your average weekend market, ie. something to distract the kids while the adults go looking for a sav blanc to suck on.

Any chest-thumping Melbournite will maintain that the city’s cultural reserves far outway any other city in Australia, but regardless of whether it’s the Spanish festival, Greek Festival, Italian, Northcote, St. Kilda or wherever, the underscore is this: Promise the punters a day out, perhaps with a bit of exotic flavour, but deliver them streets lined with the food stalls, a cheezy covers band belting out ‘dancing in the street’ and divest their wallets of their contents while they hungrily look around for the good times. It’s poor form and thin fun.

The only good festival that I’ve ever been to in Melbourne was this year’s Vietnamese Tet Festival in Footscray. Unfortunately the Richmond Tet festival suffers from a similar lurgy to all the others, but Footscray really knows how to flesh out the day so that when you leave, you don’t feel like you’ve been duped. It was a great balance of fun, food, culture and danger. There was the usual dragon dancing, the stalls and cheezy music, but there were also fireworks lit in the middle of the street that could have incinerated swathes of people if launched at the right angle. “Sanitised” isn’t a word you’d use for it. It’s not every day you see people lined up three and four rows deep to purchase the pungent dried cuttlefish being fed through a wringer by sweaty Vietnamese men. There was a great community feel about it, an inclusiveness that’s missing from the others. Where it got to be too much was when, at the end of the night, they gave the main stage over to the fervent karaoke nuts who warbled their way through saccharine Vietnamese pop songs amplified over the Footscray streets, turning Barkley Street into a typical Vietnamese lounge room for a few hours.

The Footscray Tet Festival has set a new benchmark for community festivals for me. Of course, I could be wrong and right now all manner of unpredictable fun could be had in gentrified Yarraville but the likelihood is that the highlight of the day for me, if I were to venture out, would be an ear of scorched corn on a stick, and some days, that’s not worth leaving the house for.


the hunter’s totems

jar of stuffI met a taxidermist the other day, who we’re interviewing for Sunday Drivers Press, and he had a large jar filled with formaldahyde, I think. In the jar there floated a number of baby animals (rats and birds), insects, a set of lungs (I forget from which animal) amongst myriad other gruesome but intriguing things. He extracted each of these things from the jar using a large pair of metal tweezers. Then he said that there is a tradition amongst hunters (he being a hunter himself, some of his game were mounted on his lounge room walls), that in his home, the hunter keeps two things: The tongue of a duck and the penis of a fox. He was very careful not to say the word ‘penis’ as there were ladies present. Thankfully one of the ladies did say ‘penis’ or else I wouldn’t have understood what he was alluding to. The duck’s tongue that he had in the jar was still attached to its vocal mechanism, and apparently when freshly removed from the duck, it’s possible to make the vocal mechanism quack if you were to squeeze it. Unfortunately for us, the fox’s penis was too far down the jar to dig up, but we took him for his word that it was indeed there. Now, I can’t find anything about this from the cursory search I did via Google, but if anyone reading this can point me in the right direction, I’d like to know why it is that a hunter would keep these totems in his home.